Suzie Purkis opera singer

Scroll to the bottom paragraph to read about Suzie's teaching, education and outreach work.

Suzie is a UK based singer and performer. She began her vocal training at Birmingham Conservatoire where she won a scholarship and many prizes. After completing her studies she was awarded a Silver Medal from the Worshipful Company of Musicians for Excellence in Performance and went on to participate in the Opera Works course with English National Opera. Since graduating she has been employed by Diva Opera, Buxton Festival Opera, Kentish Opera, Heritage Opera and Graham Vick’s Birmingham Opera Company.

Operatic roles include Carmen (Carmen – in English) for Kentish Opera and Heritage Opera; Jester (“i” the opera) for Waste Paper Opera Company; Mother (Amahl and the Night Visitors) and Juno (Semele) for Operamus; Minerve (Orphée aux Enfers) for Diva Opera; Ottavia (L’incoronazione di Poppea) and Rosalia (West Side Story) for Birmingham Conservatoire; First Witch (Dido and Aeneas) for mac Productions/Sampad.

Act II saw the introduction of the star soloist, Suzie Purkis as Juno, adding an extra clarity of diction and stage presence to the proceedings.

Geoff Read, Birmingham Post (Semele)

Suzie Purkis as Carmen dominated the action whenever she was on stage. She is a true mezzo with a dark-toned, vibrant and velvety voice...

Joe Conway, Peterborough Telegraph

On the concert platform she has performed the alto solos in Handel’s Messiah for North Cotswold Chamber Choir and Emmanuel Church Choir; Vivaldi’s Gloria for Music of Life; Bach’s Mass in B Minor for Bristol Phoenix Choir; Bach’s Kantate 170 for Crendon Chamber Orchestra; Bach’s Magnificat in D and Mozart’s Coronation Mass for Leicester Bach Choir; Duruflé’s Requiem for Bromsgrove Choral Society.

Suzie has a special interest in the performance of new music and has performed works by Pierre Boulez, Louis Andriessen, Gerald Barry, Mark-Anthony Turnage, Philip Cashian, Steve Reich, Luciano Berio, Zsolt Durkó, Cecilia McDowall, Fumiko Miyachi, Joanna Lee, Kirsty Devaney, Michael Betteridge, James Oldham, Michael Wolters, Chloe Knibbs, Ed Bennett, Stuart Stevens. Performances have involved singing in a cage in a zoo (on German television), performing in an ice rink during public skating hours and an opera in a swimming pool.

I love her voice. It’s very powerful, but it is her way of breathing life into the vocal lines that I admire.

Michael Wolters interview, Birmingham Post

Michael Wolters wrote a two-hour-long music theatre piece called Sing, sing! for Suzie and Ulrich Mertin (viola) which they premiered in Düsseldorf and performed again for the opening of a festival in Trier. In the UK Suzie premiered Michael’s short opera The Voyage in collaboration with Stan’s Cafe Theatre Company; a recording of this performance was broadcast on BBC Radio 3.

…Purkis’ poised delivery conveying a wonderfully lyrical sense of line through wide-spanning intervals.

Christopher Morley Birmingham Post (Boulez Improvisation I sur Mallarmé)

The amazingly versatile Purkis could almost have been the reincarnation of that virtuosic Cathy Berberian.

Christopher Morley Birmingham Post (Berio Folksongs)

Suzie has fourteen years experience as a singing teacher and vocal coach both privately and at leading independent schools. She was the Musical Director of Welsh National Opera’s Youth Opera Company in Birmingham for several years and is an experienced singing workshop leader for organisations including Music of Life Foundation, Birmingham Opera Company, Choirs Beating Time and Choir with No Name. She has been employed by National Children’s Choir of Great Britain as a singing teacher and also visits the Royal Birmingham Conservatoire leading workshops for student composers on writing for voice and performing works written by them. Suzie regularly engages in professional development, having recently qualified as a Vocal Health First Aider and having attended courses including ‘Advanced Anatomy for the Vocal Practitioner’ and ‘Teaching Young and Adolescent Voices’. She is grateful to the Pam Jelf Memorial Fund for assisting her financially to attend the Sing for Pleasure Advanced Choral Conducting Course and also to the English Choral Experience for the generous scholarship assisting her to study for an intensive week long course under Paul Spicer and Sarah Tenant-Flowers.